Life, Legacy and The Shadow of Death

Inspiration | Iceland

“Leukemia,” my doctor answered when I asked him to clarify specifically what he meant by eliminating anything ‘really scary’ from the possible cause of my symptoms. His words were followed by stunned silence as my wife Elizabeth and I tried to process the weight of that word. Leukemia is perhaps the most dreaded of all cancers. For those who have been diagnosed with Acute Myeloid Leukemia the survival rate after five years is a mere 26%. Earlier in March of 2018 I was diagnosed with Crohn’s Disease, a non-contagious, auto immune disease that attacks the digestive system. I’d also lost over 35 pounds in the past year without really trying. During the following weeks my blood labs showed my hemoglobin was below normal and that my blood platelet counts were dangerously low, and dropping steadily. Healthy platelet levels range between 150,000 – 400,000 per microliter, mine were at 32,000. Platelets are responsible for clotting your blood, so low levels make even a small cut a serious situation as significant blood loss can occur. In mid-May my hematologist recommended I take a high dose of steroids over four days in hopes of boosting my platelets into a normal range. The following week we met to discuss the results. They were far from what we’d hoped, my platelet levels had only increased to 48,000. It was on this day that my hematologist indicated the urgent need to eliminate Leukemia as the cause of my symptoms. I was scheduled for an emergency bone marrow biopsy two days later on May 24th.

For Whom The Bell Tolls | Iceland

WHISPERS IN THE DARK

From the day my doctor uttered the word ‘Leukemia’ my life was forever changed. Despite the absence of a confirmed diagnosis both Elizabeth and I were certain of the results long before we received them. It all made sense now, my platelets were low because with Leukemia I’d no longer be producing them. I went through a variety of emotions; disbelief, loneliness, anger, sadness and a host of others. At the same time all the typical, daily frustrations suddenly seemed so insignificant. The priorities of life rearranged themselves incredibly fast as my family and I struggled to grasp and accept this new reality. So often we take life for granted, there is an unwritten expectation of living well into our eighties. I wasn’t afraid of dying, however, the pain of knowing I’d not be able to be there for my wife and children crushed me. When I looked at the faces of my three sons I struggled not to weep. I’ve usually been very observant of my surroundings, but now when I went outdoors I took even greater notice of the trees and flowers, the warmth of the sun, the sounds of a bird singing and tried to soak up every single moment of my existence here. Over the following days Elizabeth and I had some very real conversations, the kind you never expect to have in your early forties. We discussed what a positive diagnosis would mean as far as where we lived for the next five years. All of my family lives in New England. Elizabeth and I decided it would be best to move back to Maine so that our four year old son Dimitri could develop a strong support network and be surrounded by my family members once I was gone. We’d been seriously considering a move back to the East Coast within the next five to ten years anyway, but my health was now accelerating this decision. We insulated our youngest from what we were discussing, however our two older sons (ages 15 and 13) knew all my symptoms were pointing towards some form of cancer. As a result we had to discuss all the possibilities of life and death with them as well. This was certainly the most difficult conversation we’d ever had and lots of tears were shed. Most of the time Elizabeth and I were stohic in front of our children in the face of this situation, but that conversation was the exception. Over the following week sleepless nights became almost common. Elizabeth and I frequently awoke in the middle of the night and cried in each others arms when the pain became too much to bear. We would sit up together for hours discussing everything from our favorite memories, to planning how to best position our family for a life without me.

The Solar Effect | New Zealand

LIFE AND PURPOSE

During one of our late night conversations Elizabeth asked me what I wanted to do with whatever time I had left on this earth. I’d had many hours to ponder that question over the past few days, so my answer was easily articulated. I said my primary focus would be on making wonderful memories with her and our three boys. Secondly, I already had four major photography workshops sold out for this year to Iceland, Alaska, Sedona and Africa, and if my health would allow I wanted to complete those trips with my clients. After that I’d see how effective the chemo treatments were before deciding whether I could continue my photography business in 2019. My third and final wish was to dedicate a concentrated effort into making the world a better place as long as I had the strength to do so. My plan is to donate any spare time I have teaching nature photography and sharing presentations of my images with the infirm and those suffering from terminal illness in hopes of brightening their days. I’ve been immensely fortunate in my life to travel the world and photograph some of the most beautiful places on our planet. I want to share these blessings from my life with others in attempts to ease the sufferings of my fellow man in some small way. Elizabeth said that would be a noble way to spend the remainder of my life and that me using my last days seeking to comfort others who were suffering would be a profound example for our sons.

Photographers speak about using nature photography to bring about awareness and affect change for the benefit of the natural world. While I believe this is important or perhaps even critical, it has never seemed like it accomplishes enough. There’s more that could and should be done. People all over the world live every day with chronic diseases like Leukemia while no sign of a cure exists. Nature photography can be used as a tool to bring peace and comfort to them in their pain and suffering. Just knowing someone else cares enough to visit them and share their work could brighten the day in ways we can’t even imagine. Though much of the devastation in the natural world has been caused by man, I don’t believe we can discount the fact that humans are also the key to protecting it. People protect what they love. The famous Russian author Dostoevsky wrote, “Beauty will save the world”. Through my images I’ve always strived to foster a real love and respect for the natural world by touching the heart of the viewer with its beauty. As Dr. Jane Goodall said, “We can never win an argument by appealing to people’s heads, its got to be in the heart”.

Dawn Of Time | Africa

CREATING A LEGACY

The results of my bone marrow biopsy surprisingly came back negative for Leukemia, Lymphoma or any other forms of cancer. I was instead diagnosed with ITP, an auto immune disease where the body destroys your platelets. I’ve begun infusion treatments for this disease at the cost of $40,000 per treatment and I’m expected to do four of them in the first month alone. While I am immensely grateful for this news and thankful that my journey on this earth continues, I’ve been forever changed from this experience. I see life through a completely different prism now. Once you’ve experienced life as a defined timeline, your perspective is permanently altered. For an extended period I truly believed that my time here was over, instead I now have a new lease on life and a fresh outlook. I’m delighted at the prospect of spending it with my beloved family and eager to continue sharing my love of photography through teaching my workshops. All of these recent experiences caused me to ponder the idea of building a legacy with ones photography. Due to the sheer number of photographers today, leaving a legacy behind after your death is more implausible than ever. I’ve often wondered what would happen if I stopped uploading files to my website or posting on social media, just how many people would notice? We are so inundated with an endless stream of content that it would be easy to overlook the absence of our favorite photographers if they faded from view. The realization that my weakened health led me to see was that I must create a legacy with my photography now. Perhaps this was the reason I had to go through such a terrifying experience, the clarity that it brought me is invaluable. This seed of inspiration, to teach nature photography and share my images in order to brighten the lives of those around me that are suffering, was planted in my heart for a reason. The results of these efforts will produce a far greater legacy than being remembered for ones work after your death. My commitment to this is even more important now that I have the time to fulfill the task. I’m deeply grateful to have this opportunity. It is my hope that by teaching nature photography and sharing my images with those that are terminally ill, perhaps I can enrich their lives and help to ease their suffering. I pray that these recent life experiences I’ve shared here inspire others to do the same and bring happiness to those who need it most. This is how photography will change the world.

Your thoughts and comments are always welcome.

Nathaniel

* UPDATE:

Nearly two years after this terrifying experience I am happy to report that my Crohn’s disease is in full remission and my blood platelet levels are continuing to climb back to normal levels. Thank you all for your love, prayers and concern during this incredibly difficult period of my life.

Through The Tempest | Iceland

How The West Was Won

 
The American Southwest, a land of raw elements and rugged terrain, a place where only the hardiest wildlife and plants survive. This corner of the world has captivated the imaginations of people for centuries. Once known as the great frontier, it drew settlers them from all corners of the world seeking to make it their home. Today we read in history books about ‘How the West was won’, but my recent travels throughout Arizona and Utah would indicate that the wild west is anything but tamed. While crowds of tourists surely pour down its main highways in the summer months, just over the distant hills remains a land of unexplored beauty and silence. There the sun rises and sets over a stunning landscape, painting shadows in the corners that act as a supporting cast to the elaborate sandstone formations.
This was the first year since moving to Arizona in 2007 that I have not been in some remote corner of the world for the season of Spring. I took full advantage of this opportunity and spent the past three months chasing the light throughout the American Southwest and filling out my portfolio in those areas of the state.
My adventures of the season took me to countless iconic destinations across the gorgeous Arizona landscape. Monument Valley has long been known as the back yard playground of some of Hollywood’s greatest actors, most notably John Wayne. Standing there overlooking the vista dominated by towering rock buttes that are illuminated by the setting sun, one quickly realizes why many have been so easily drawn to this magical place.
The beauty of this region extends below the earth’s surface as well, deep into narrow slot canyons that have been forged by flood waters rushing over the sandstone for centuries. These powerful torrents carry rocks, logs and other debris with such force that they carve out fantastic underworld realms that are incredible places to explore and even better to photograph! During the Spring and Summer months sunbeams occasionally make it down through the top of the canyon painting the walls with light and revealing their amazing textures and patterns. Walking through the chasm one can often hear the call of a Raven perched by the top echoing through through the passage, or that of a Great Horned Owl if you’re lucky!

The plant life in the Southwest is unlike anywhere else in the United States. Gigantic Saguaros and other varieties of cactus decorate certain sections of the landscape while other parts support species that dominate a specific region, as is the case in Joshua Tree National Park. I happened to be there when these ancient trees bloom and found some wonderful subjects. This image of one bowing down to the earth, burdened by the weight of time, was one of my favorites due to its unique shape.

I would be remiss if I didn’t share one of the wonderful shots I captured of the Grand Canyon during this adventure. Here is a place that is impossible to put into words or offer an image that does justice to the majesty and glory of gazing out at one of the seven wonders of the world. When the sun cuts across the ridge line at sunset and casts beams across the vast opening it is truly breathtaking.

Another location that I photographed during this whirlwind tour was the beautiful Canyon de Chelly. Here a towering sandstone spire rises up 750 feet from the canyon floor reaching to the sky. The Navajo Nation has a fantastic legend about Spider Woman surrounding this formation that would impress even the most dedicated comic book enthusiast. Sunset overlooking this valley is unforgettable.

No trip in the American Southwest would be complete without walking around under the cover of darkness in the shadow of ancient rock formations, so I returned to do just that last weekend. My travels took me north where there is limited light pollution in order to photograph the Milky Way. Here in the wee hours of the morning the galaxy explodes above and leaves one feeling incredibly small. It is therapeutic, it puts life in context and heals your tattered soul. The adrenaline that courses through you standing there can not be duplicated. What a wonderful world.

The simple reality I discovered is that the West will never be won, it is a wild and free land for those who are willing to go out and seek its raw dimensions. If you would like more information on my upcoming Arizona workshops you can find complete details at this link. I can’t wait to return to these exceptional destinations next year with my workshop groups and look forward to sharing our images with you at that time. I am now off to lead my Ultimate African Adventure Safari, I’ll put together an in depth trip report from our experiences once we return. Thanks for reading!

Your thoughts and comments are always welcome. – Nathaniel

Fall, Familiarity and Fantasy

Chronicles of Nature

The River Serpent | Iceland Photographed in the highlands above Háifoss Waterfall.

The River Serpent | Iceland
Photographed above Háifoss Waterfall in the Highlands.

Yesterday was officially the last day of what has been a very busy summer, and today ushers in the new season of Fall. Over the past few months I’ve had two safaris in Africa, one photo tour in Iceland and I depart on Sunday to lead my Autumn photo tour in Lofoten, Norway. My travels throughout this year have been very rewarding. I have enjoyed the company of many wonderful people whom I now consider good friends. During the course of the year I’ve spent time reflecting on the nature photography industry. There are a couple tendencies I have noticed relating to landscape photography, I’ll call them familiarity and fantasy.

Into The Mist | Iceland My interpretation of Skogafoss Waterfall, Summer 2015.

Into The Mist | Iceland
My interpretation of Skogafoss Waterfall, Summer 2015.

Living Waters | Iceland My interpretation of Skogafoss Waterfall, Summer 2016.

Living Waters | Iceland
My interpretation of Skogafoss Waterfall, Summer 2016.

Familiarity‘  you ask? We’ve all heard of (or met) the photographer that snubs others with a heavy dose of elitism because they never shoot iconic locations, right? (Odds are that same photographer spent their early years as a photographer shooting those exact locations they now sneer at). First of all, let me say that I can appreciate their sentiment to a degree. Given the opportunity, I’d strongly prefer to shoot in a wilderness area that hasn’t been trampled by millions of footprints and find my own fresh compositions. However, there is a reason that those ‘overshot ‘ locations are popular. There the strongest compositions tend to be fairly obvious and the scenes are very photogenic. It would seem unwise to be too quick passing judgement against an image from one of these ‘popular’ places. I personally haven’t spent time poring over other photographer’s compositions, trying to replicate their shots, (and I don’t say that from a position of arrogance either). I say it because I have taken shots in National Parks, only months later to discover someone else had a similar composition as the one I’d taken. Does that mean I shouldn’t have taken that shot? I think not. The simple fact is that I saw a beautiful landscape which appealed to me and I made an image as a result of my emotional response to that scene. I lead photo tours and safaris to some of the most popular photography destinations in the world. It would be easy for me to become jaded and forget that many of my clients have never seen these views, vistas or wildlife species before. As a photo tour leader I believe it is my duty and obligation to my clients to remember what it was like to see these incredible places for the first time. So what do I do? Personally I like to view this as a challenge to visit the same location multiple times and find ways to create a new interpretation of the same scenes each time I am there. If the light or the weather changes from the last time I shot that place it is easier, but in similar conditions, what then? The beauty of this is that you don’t have to travel around the world to exercise this discipline. See how many times you can visit the same regional park in your area and create a new composition of the same scene. This is where testing your creativity comes in, embrace it. Once we have become so familiar with spectacular locations that we can no longer appreciate their beauty and find fresh compositions in them, have we not lost our vision?

Puffins & Trolls | Iceland

Puffins & Trolls | Iceland

Glacial Kingdom | Iceland

Glacial Kingdom | Iceland

Creativity brings me to our next topic, ‘fantasy‘. This is the handicap some people put on their own photographic potential. Prior to traveling to a new destination they will scour Google images, searching for photos and compositions of their intended destination, painfully stunting their creativity in the process. Arriving on the scene they are unable to think for themselves, all they see in their mind’s eye is the shot of another photographer. They race around looking for the vantage point that produces the image they recall from some forgotten corner of the internet. You may laugh, but sadly I have had people show me photos, and all but ask me where the photographer’s tripod legs were positioned when that particular shot was taken. All I can think is what a horrible experience that must be, to constantly be attempting to fashion your own work in the shadow of someone else, to have your vision clouded by the compositions of another. While it is true that we have all learned at some point in our life by copying, it is only intended to be a stage in our development as photographers, not the fulfillment. Executing our own work though the work of our peers or photography “idols” is not life, but fantasy. Individuality is freedom from the norm, and though not always popular, it is alive!

If you’d like to see a collection of images from my recent tour please visit my Iceland Portfolio.

For information on my upcoming Iceland trips see my webpage: NOW Tours.

Your thoughts and comments are always welcome. – Nathaniel

Opus of the Dawn | Iceland

Opus of the Dawn | Iceland

The Horse Whisperer | Iceland

The Horse Whisperer | Iceland

 

 

 

 

Dreamland | Iceland

Dreamland | Iceland

Under An Iceland Sky | Puffins

Under An Iceland Sky | Puffins

Chocolate & Buttercups | Iceland

A Bold New World

Chronicles of Nature

WINTER  PHOTOGRAPHY  IN  THE  POLAR  CIRCLE

Dance of the Green Dragon | Lofoten, Norway

It is hard to believe that two months have past since I returned from leading back to back photography tours in Iceland and Norway. I had a great groups of dedicated photographers for both destinations and we enjoyed shooting in some incredible conditions. People generally have one of two reactions when they consider the thought of participating in a photography tour to a colder climate. There are those that will jump at the chance relishing the challenge and new experiences, asking eagerly, ‘Where do I sign up?!’ The remaining personalities typically respond with ‘Over my dead body!’ or mutter something about how they’d turn into an icicle. Another objection I’ve heard is fear of the damage their camera will suffer from the snow. First of all, if your equipment is worth its salt then it should be able to manage a little dusting of snow. The main risk with camera gear in a colder climate is extreme temperature changes. If you you allow it to gradually adjust then you shouldn’t have any problems.

Labyrinth | Lofoten, Norway – A maze of fascinating sand patterns made the perfect foreground for the distant snow capped mountain peaks during my recent Norway photography tour. This quiet stream flows directly into the ocean and the large, broken ice patches were too inviting to pass up. Sometimes you wait for what seems like an eternity for clear skies when shooting in the polar circle, but when it clears the sunrises are nothing short of spectacular. This was one of those days.

Nordic Dreams | Iceland – During my recent Iceland Winter Photography Tour we visited a few different locations looking for the elusive aurora borealis, including the mighty Skógafoss waterfall. The Northern Lights never danced for us here, but a moonbow put on a show all its own. Later over Vik we were rewarded with a beautiful aurora display. Iceland is a land full of wonders!

Keeping batteries in a base layer pocket close to your body should extend their life in the cold when they aren’t in use. Secondly, at the end of the day the simple reality is that their really is no such thing as ‘bad conditions’, just a lack of creativity. We live in an age today when apparel manufactures make gear and clothing that will keep us comfortable in nearly any type of weather or at any temperature. I’m speaking from experience. Last year I led an winter expedition in the Himalayas to photograph Snow Leopards in the wilds of northeastern India. With the the right type of clothing and apparel you can endure some pretty extreme conditions. Finally, perhaps one of the best kept secrets about winter in Iceland (and particularly Norway) is how mild the winters are. The general assumption is that just because it’s in the polar circle it must be frigid. The reality is that almost all of Norway’s coast remains free of ice and snow throughout the year. Norway and Iceland are located along the same latitude as Siberia, Greenland and Alaska, so it is often expected to be a land of bitterly cold weather. However, due to warming influences of the northern Gulf Stream, the country actually enjoys a fairly mild climate. Average daily temperatures in the winter are typically above 32°F or 0°C. The good news is that this rampant misconception drastically reduces that number of photographers that visit these Nordic regions during the winter months, leaving it for groups like mine to enjoy. Once you’ve experienced and shot these locations in the summer, winter is a whole new experience. Like peeling back that layers of an onion, winter removes all the ‘fluff’ from the landscape and leaves one composing from a raw, rugged scene… and it is breathtakingly beautiful. I’ll be returning to lead my two Iceland Summer Photo Tours in July and I’ll be off again in September to lead my Norway Autumn Photo Tour. Below are just a few more examples from my winter tours, if you’d like to see more visit my Iceland Portfolio  or my Norway Portfolio.

Your thoughts and comments are always welcome.

– Nathaniel

Scream of the Sea | Lofoten, Norway – This image was captured on the upper northwestern side of the Lofoten peninsula. The weather was extremely dramatic and while we were there it began to snow. The raging ocean crashed harder and harder into rocks with the rising tide. I sat and stared for a long time before going to work on this composition. I listened to the gusting wind as it drove tiny white snowflakes through the air like so many small darts. I watched the surf dash onto the coast churning white froth all over the shoreline. There were so many different emotions at work in the scene. When I finally began to shoot it all went silent, but the sea still let it’s voice be heard visually with this striking face in the foaming water below… Unforgettable.

 

Flow | Iceland – There are few things that I enjoy more than spending time alone with a camera surrounded by nature. However, there is certainly something to be said for sharing the magic of the outdoors with fellow photographers. For some it’s the moment they see a new country or species the first time that they have longed to witness for years. For others that have been to a destination before, it’s like taking them back to visit an old companion. Each time that I lead a tour to the Nordic countries I look forward to sharing the magic of that region with friends both old and new, and with you all. This is a large chunk of glacial ice getting caught in the rushing tide that was photographed on a black sand beach in eastern Iceland. I hope you enjoy it.

 

Eye Of The Sea | Lofoten, Norway – At times hunting for the northern lights can be a bit like an emotional roller coaster. Typically I will have been up early that morning shooting sunrise and then out in the mid afternoon for sunset. After a warm meal for dinner one usually just wants to curl up on a couch and fall asleep looking at the images from the day. But the chance of seeing the beautiful aurora coaxes me back out into the dark and the crisp, winter air. Trudging through the snow or along a dark roadside thoughts of doubt creep into your mind and whisper that you’re wasting precious hours you could be sleeping searching for a phantom. And then suddenly from out of nowhere the sky explodes into into vibrant, changing patterns of color. In that moment all thoughts of sleep rush out of your your mind and adrenaline courses through your body. For a minute you forget to even shoot. All the tired muscles and sore joints in your body are forgotten as you bask in the glorious display of one of the natural worlds greatest phenomena. Nature’s therapy at its best.

 

Explosion | Iceland

Explosion | Iceland – There are certain locations that regardless of how many times you visit, it’s like a new experience every time. Iceland is one of those. This image was made at dawn on the beach in Vik, and while most are drawn to photograph the ancient sea stacks there, the surf is a subject unto itself. This area tends to experience some of the island’s more dramatic weather systems and the towering waves are astonishingly powerful. Exercising extreme caution here is of the utmost importance as sleeper waves often surprise tourists and can be deadly. The small black flecks that you see in the crashing wave here are actually fist-sized stones… just to give you an idea of how powerful the ocean is on this beach.

 

Arctic Pastels | Lofoten, Norway – Hamnoy is the oldest fishing village in the Lofoten Archipelago, and though small, it is undeniably beautiful. Considered by many to be to be one of the most picturesque villages in the region, Hamnoy is also popular tourist destination due to its scenic, unspoiled nature. This village was only accessible by ferry until bridges were built connecting it to the rest of the peninsula about 35 years ago. During my Norway Photography Tour, participants are accommodated in remodeled fishermen cabins like the red ones pictured here. The oldest one of these was built in the 1890’s. There are few things that compare with staying in a traditional seaside cabin overlooking the coastline and falling asleep to the sound of the ocean lapping against the rocks below. This image was captured during the first sunrise photo shoot of my tour, we were rewarded with a soft pink blush in the clouds just above these iconic peaks.

 

Winter Oasis | Lofoten, Norway – Ice is often one of the best elements to utilize in a winter scene, however this year many of the large lakes in Norway were covered due to increased snowfall late in the season. The snow cover compromised the stability of the ice which made working around the lakes difficult at times. Adapting to these conditions meant passing on some of the grand compositions with ice cracks in the foreground, and instead finding small hidden ponds like this one just off the beaten path. While shooting in a colder climate certainly has its challenges, with the proper clothing one can remain quite comfortable and and the rewards are great. Winter images are very unique and produce results unlike any other season. This is a favorite area of mine for sunrise in Norway for good reason. And yes, the ice is really that color.

 

Kelidesope | Norway

Kaleidoscope | Norway Fascinating sand patterns along the shoreline of one of Norway’s many beautiful beaches. Turquoise waters and white sand beaches, Norway is very much like the Caribbean of the North.

 

Someone recently asked me what we do on my Nature Odyssey Worldwide Photo Tours when the weather changes and the storms blow in. I was puzzled, but smiled and said, ‘That’s often when we do our best work.’ This shot was taken on my sold out Winter Iceland Photography Tour in 2016 with a great group of dedicated photographers. We’ve found some great scenes both in the landscape and the ice caves.

 

What a beautiful country! This shot was taken on the final day of my Nature Odyssey Worldwide Tours in Norway. A fitting end to what was a week filled with the perfect variety of weather, allowing us to photograph the landscape in all conditions. One of my participants that travels a lot for photography said this was perhaps the best tour they’d ever been on, I couldn’t ask for a better compliment. Thanks to this great group for joining me this Winter, 2016 Photo Tour in Norway!

Beyond The Waterfalls

Chronicles of Nature

Independence | Iceland – A lone volcanic boulder rests in a windswept landscape of volcanic stone pebbles and patterns.

Hills In The Mist | Iceland

 

The Great Wide Open – Golden Plover Chick

You may have dreamed of traveling to Iceland, as I did for years, longing to photograph its incredibly diverse landscape. A plethora of images had tempted me for a decade or longer, enticing with massive waterfalls, glowing sunsets and noble Icelandic horses. Admittedly the allure of this magical country is hard to resist. As recently as a few years ago I had a powerful ambition to capture all the ‘iconic’ shots so often published of Iceland, but over time something in me changed. I’m not sure exactly what it was that altered my perspective, perhaps it was a number of factors. I noticed that my interest had shifted towards photographers that were creating more subtle, unique compositions and capturing the hidden elements of a scene, as opposed to the more obvious, grand shots that have almost become common now. I also became weary of what I perceived to be a rabid pursuit of ‘epic’ light. I do not mean to imply that there is anything wrong with photographing ultra-dramatic light and conditions, we would be remiss as photographers if we did not. Unfortunately though, the message often conveyed is, “If there isn’t a flaming sky, stay home” or even worse, “If there isn’t a flaming sky, just paint one in later with Photoshop”. Despite the general popularity and initial impact of these ‘sensationalized’ images of nature, I felt there was something missing. That approach to landscape photography left me feeling jaded. It is to the point now when one posts a photograph depicting spectacular light that they run the risk of their audience automatically assuming that the saturation slider was pushed too far to the right, or some Photoshop processing trick was executed. The viewer usually doubts, even if only sub-consciously, that the conditions represented in the photo ever existed. Often in today’s culture of digital nature photography great liberties are taken when processing files, pushing them far beyond the realm of reality. We’ve labeled this ‘artistic expression’ and moved on. I became more certain with each passing day that there was something forgotten, something overlooked…

Waiting for our attention, beyond all the hype about towering waterfalls and blazing sunsets, there is a quite landscape.

The River Serpent | Iceland – This image was made from a cliff high above Háifoss Waterfall. I sought something other than the ordinary, and found a serpent.

It was with these thoughts on my mind that I arrived in Iceland and began my quest to capture the beauty of this land from a fresh perspective. My first impression was that none of the photos I’d seen could do this amazing country justice. The photographic potential of the landscape in Iceland is staggering, at nearly every turn I found inspiration and elements that caught my eye, begging to be photographed. Since this was our summer photography tour we had nearly 24 hours of light each day making for nearly endless opportunities.

Halo Of The Earth | Thingvellir, Iceland – One of three different rainbows that we photographed on our tour.

One of the great benefits of this ‘midnight sun’ is that the ‘golden hour’ stretches into multiple hours and the window for soft light during sunrise and sunset has a much longer duration. Due to its proximity to the polar circle and location in the center of the vast Atlantic Ocean the weather changes frequently. Some days we would awaken to bright sunshine and a soft breeze and another day troubled, stormy skies with 60 mile per hour wind gusts. Regardless of the weather, the landscape is enchanting, and from a photographer’s perspective it is paradise. Glaciers, icebergs, volcanoes, lava fields, geysers, waterfalls, rivers, mountains, meadows, flowers, birds, horses, beaches and the mighty ocean, what’s not to love?

Bend in the Meadow | Iceland – A simple stand of small, weathered trees are complimented by the gentle curve of a quiet stream.

We visited many of the iconic locations throughout Iceland, but you might not know it looking through my Iceland portfolio. I wanted to shoot what resonated with me personally, not what garnered recognition or would get lots of attention on social media platforms. Much of the time this approach worked well, other times it meant visiting an iconic location and finding nothing that caught my eye but the obvious composition. When this occurred I’d set my gear aside and drink in the beauty surrounding me, capturing mental memories of the scene to enjoy forever.

The Veil | Seljalandfoss, Iceland – The waterfalls that I did photograph I worked to find a fresh composition. This waterfall is repeatedly shot from the side looking back at the setting sun… Google ‘Seljalandfoss’ and you’ll see what I mean.

My one regret from our tour is that it did not last longer. Thankfully I’ll be back in 2016 to lead our Iceland Winter Photography Workshop in January and February where we’ll experience Iceland decorated in winter’s embrace. I can’t wait to return and hope that a journey to Iceland is in your future as well, it’s truly an unforgettable experience.

There are stunning waterfalls everywhere in Iceland… be sure to look beyond them and find all the other beauty this land holds for those who seek it out.

Your thoughts and comments are always welcome.

– Nathaniel

Feel free to email me directly for information on next year’s tours and please also check out: Iceland Photo Tours

Enjoy a hi-res gallery of the images from this article in my Iceland Portfolio.

A Gentle Awakening | Iceland – The incredible beauty of the sunrise over Iceland needs no enhancement, it is already perfect.